Tuesday, November 26, 2013

Let's hear another Joke

Amitabh Bachchan is driving his new Austin Martin luxury car . Asks his driver to sit back. Police hawaldar stops the car for signal jumping. On seeing Amitabh driving the car, he calls his ACP and asks him.. Sir signal jumping ke liye rokki hai. Lekin challan nahi phad sakta. Gadi mein bahut bada sahab baitha hai. Kya karu. ACP asks kaun sahab hai gadi mein. Pata nahi kaun sahab hai. Lekin us sahab ka driver Amitabh Bachchan hai.

Tuesday, November 19, 2013

Let's hear a Joke .

In Dev Anand's mega hit film 'Guide' there is a famous song
'Gaata rahe mera Dil...'

in which Waheeda
Rehman wears a pink saree and throughout the song she wore the same saree.

So, when we have a trend of heroines changing clothes in every sequence,
the big question is: Why did not Waheeda Rehman change her saree in the
entire song?
...
The answer to this is simply amazing and no amount of head scratching will help you....

I BET U HAVE NOT COME ACROSS ANYTHING INTELLIGENT THAN THIS...

Scroll down for the answer....
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And the answer is:

Because in the first stanza of the song,
Dev Anand sings the following lines:

'O mere Humrahi,
Meri bahe thame chalna,

Badle duniya 'SAREE',
Tum na badalna....."
๐Ÿ˜€

๐Ÿ’•๐Ÿ’•๐Ÿ’•๐Ÿ’•๐Ÿ’•๐Ÿ’•๐Ÿ’•๐Ÿ’•
 
 
 
2nd Joke
 
A Chinese walks into a bar in America late one night and he saw Steven Spielberg.

As he was a great fan of his movies, he rushes over to him, and asks for his autograph.

Instead, Spielberg gives him a slap and says, "You Chinese people bombed our Pearl Habour, get outta here."

The astonished Chinese man replied, "It was not the Chinese who bombed your Pearl Harbour, it was the Japanese".

"C...hinese, Japanese, Taiwanese, you're all the same," replied Spielberg.

In return, the Chinese gives Spielberg a slap and says, "You sank the Titanic, my forefathers were on that ship."

Shocked, Spielberg replies, "It was the iceberg that sank the ship, not me."

The Chinese replies, "Iceberg, Spielberg, Carlsberg, you're all the same."

๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น๐Ÿ”น

Friday, November 15, 2013

Facial Age Progression

 
Make Up and age transition for any film or play should be like the above photograph.

Wednesday, November 13, 2013

FILM EDUCATION - FILM MAKIG TIPS - BY OORVAZI IRANI

1. Do you have anything to say
2. How are you saying it
3. What is the one central thing your film is about in one line
4. Do the characters develop the plot
5. Limiting yourself to a genre could help as a creative tool to begin with
6. What is the opening value and closing value of your scene
7. What information is the image giving
8. What do you want to include and exclude in your frame and why
9. Study paintings and still photography to understand the key aspects of a still image
10. Understand the difference between a still image and a movie image
11. Every camera movement should have a purpose
12. Try using a tripod or a support to keep the camera steady otherwise its makes the  audience giddy
13. Observe the sun during different times of the day and the effect it produces
14. When using artificial lights ask yourself what is the role each light is playing
15. Select locations carefully they add character to the film
15. What information is the soundtrack giving
16. Use external mikes for a professional soundtrack
17. Close electrical devices like Tv, Ac, fan, while recording sound to avoid the hum
18. What is the Rhythm of your film
19. Concentrate on developing your skills to get a great performance out of your actor
20. Why is your film unique

THE FILM MAKERS WORKSHOP



Script Writing Format | How To Format Your Screen Play


Screen Writing is a very fun way to write, it’s written to be read, it’s written to be performed, it’s written to be acted. Screen Writing is writing to describe what you see and hear, and  that’s it. For this reason Script Writing has it’s own format.

Here is a great illustration on how Script Writing Format Works.

Saturday, November 2, 2013

เคฆीเคช เคเค• เคœเคฒเคคा เคฐเคนे






เคชเคฐ्เคต เคนै เคชुเคฐुเคทाเคฐ्เคฅ เค•ा,
เคฆीเคช เค•े เคฆिเคต्เคฏाเคฐ्เคฅ เค•ा,
เคฆेเคนเคฐी เคชเคฐ เคฆीเคช เคเค• เคœเคฒเคคा เคฐเคนे,
เค…ंเคงเค•ाเคฐ เคธे เคฏुเคฆ्เคง เคฏเคน เคšเคฒเคคा เคฐเคนे,
เคนाเคฐेเค—ी เคนเคฐ เคฌाเคฐ เค…ंเคงिเคฏाเคฐे เค•ी เค˜ोเคฐ-เค•ाเคฒिเคฎा,
เคœीเคคेเค—ी เคœเค—เคฎเค— เค‰เคœिเคฏाเคฐे เค•ी เคธ्เคตเคฐ्เคฃ-เคฒाเคฒिเคฎा,
เคฆीเคช เคนी เคœ्เคฏोเคคि เค•ा เคช्เคฐเคฅเคฎ เคคीเคฐ्เคฅ เคนै,
เค•ाเคฏเคฎ เคฐเคนे เค‡เคธเค•ा เค…เคฐ्เคฅ, เคตเคฐเคจा เคต्เคฏเคฐ्เคฅ เคนै,
เค†เคถीเคทों เค•ी เคฎเคงुเคฐ เค›ांเคต เค‡เคธे เคฆे เคฆीเคœिเค,
เคช्เคฐाเคฐ्เคฅเคจा-เคถुเคญเค•ाเคฎเคจा เคนเคฎाเคฐी เคฒे เคฒीเคœिเค!!
เคिเคฒเคฎिเคฒ เคฐोเคถเคจी เคฎें เคจिเคตेเคฆिเคค เค…เคตिเคฐเคฒ เคถुเคญเค•ाเคฎเคจा
                  เค†เคธ्เคฅा เค•े เค†เคฒोเค• เคฎें เค†เคฆเคฐเคฏुเค•्เคค เคฎंเค—เคฒ เคญाเคตเคจा!!!